Here I am on the road again!

The car screeches to a halt on the dusty road. The passenger's door opens and I am thrown out of it ruthlessly with my personals out on the road. I taste earth as I have tasted so many times before. Without a pause, the car steamrolls ahead. I get up and crane my neck to look as the road meets the horizon, does the car get a new passenger?
I am weary, tired and sickened by the monotone of the eventful life I have had. This latest car has given me a gash on my left cheek. It is bleeding. I don't feel like staunching it. Oddly, I have a similar looking scar, a remnant of a similar gash on my right cheek. Bemused, I roll up my sleeves, open my shirt, draw up my jeans and I can see what life has done to me. My whole body is a patchwork of scars. Some given by love, some by friendship, some by the so called "professional life" and some which I have inflicted upon myself. I pick up my belongings and walk ahead.
The road as I said is dusty. It is windy throughout the year on this road. I have been going around on this one as long as I can remember. It appears to me like one big circle, though strangely I can never find anything which I left behind or lost. The wind blows it away. Time heals the wounds.
Often however it has happened that I do find lost memories on the road. No, not trampled beneath innumerable feet which tread this path but it's the memories and people that come from behind and open like a new journey on the same road. I have been haunted by these memories and people. How can I go on with something which has given me these scars pretending to forget what happened? Yes time does heal the wounds, but the scars remain. It is so pathetic of my human nature that I tend to accept these unforgettable thorns that once were roses. And it is so much more sissy of me to feel that they actually are roses after I spend some time on this road with them. Then they speed away, they are there like a pseudo image in front of my eyes, but actually they are far away, pretending not to hear, ensnaring some new victim, despite the fact that they themselves are also the travellers of this road.
But I ain't too big a fool you know. They gave me the pain, the scars, the thorns and all they could do to hurt me. Did I just collapse and bleed to death? I have thorns to give myself, gashes to be bled, scars to be carved, smiles to be stolen, pain to be inflicted. I am not just the dust on the road to be blown away by a speeding car, no. I am a car myself, I am the wind.
I hear it, the sound of an approaching car, I wave my hand and the car stops. A beautiful young girl's driving it. I look at her wrist, scarred. I smile to myself, I have a heart to bleed!

Robin Hood: Review

Ridley Scott + Russell Crowe = Gladiator aka a blockbuster, Ridley Scott + Russell Crowe = Body of Lies, again an awesome movie. Ridley Scott + Russell Crowe = Robin Hood, this time it's not so good a product.
Robin Hood as all of those who have read the classic novel know, is the story of Robin Longstride who is an archer in the army of King Richard, the Lionheart who returns to England after his worthless crusade to find England in shackles of aristocracy where poor are becoming poorer and the rich becoming richer. The movie is a narrative of the time when Robin Longstride was not Robin Hood. It is the making of the outlaw, the outlaw whose story we know and that is why the movie fails to connect. The story goes as Richard Lionheart is slain in battle and kingship is passed on to his lesser brother John who is warming the bed with a French princess Isabella. He is betrayed by Godfrey, a French in disguise of an English who has conspired with King Phillip of France to attack the unstable England. England, which has been divided on the inside by Godfrey's evil plans and King John's foolishness. However, Robin's new "father", Sir Walter shows him the path towards true justice and they manage to unite England under one banner and defeat the French on the word of the King that his oppression will end and there will be a charter of liberty which will be passed. In the end though, as most foolhardy leaders do, he burns the charter and declares Robin an outlaw, to be hunted till death.
And so, the legend begins as the last frame of the movie says. Robin Hood is a knowledgeable experience to those who did not know the making of the outlaw. The movie finishes with a promise of a sequel which obviously has to come. The major characters of the film, apart from Robin, Maid Marian, the Sheriff and Robin's gang of outlaws have little part in this film. What this movie lacks is the usual grandiosity of Ridley Scott's movies mainly because of a story which hardly holds anything to keep you gripped. It purely is a knowledge experience more than a cinematic one. The background score, the cinematography, the performances are all good but we have seen much better from Ridley Scott.
I am waiting for the sequel because it is where the story of the Robin hood we know begins. I guess the movie standed in stead with its motto - Rise and rise until lambs become lions! I will go on a 3 on 5 for a completely average movie.

Raavan : Review

Perpetually rainy landscapes, roaring waterfalls, thick forests, some crazy bunch of men, A.R Rehman's haunting score, Mani Ratnam's classy direction and some good performances.. Here comes Raavan, another in the series of the much awaited movies of this year.
Raavan is an interesting take on Ramayan. It is the story of Beera, an eccentric, impulsive tribal from the jungles of Laalmaatee who is revered by the locals and loathed by the Police. An Indian Robin Hood of sorts. The story begins when Beera kidnaps the Superintendent's wife Ragini aka Aishwarya Rai and takes her deep into the forests to ransom the SP and finally kill her. But Ragini's fearlessness and staunch iron heart comes as a surprise to Beera who is feared by everyone. He develops a liking towards her and the story moves on as the Police give them a chase through the forests. Beera tells her of his revenge with the Police and why SP catches up with him, Beera leaves him to go free with his wife. However, things in the end take an ugly turn.
Raavan scores on many aspects. Its super awesome visuals and cinematography hold you in a daze. After Avatar, this was one of the most beautiful picturisations. The score by Rehman is excellent. The actors give a good performance on all fronts.
However where Raavan falls short is the story. The message Mani Ratnam wants to put through has been woven into a very average Bollywood story. The story as it reveals itself fails to impress and you keep wondering if there was something more to it, when actually there is nothing.
The parallels with Ramayan are evident. Ram, Raavan, Sita even Govinda as a potential Hanuman and Hariya as Vibhishan and Hemant as Laxman.
Raavan is an impressive piece of artwork but an ordinary piece of writing. I will go on a 3 on 5 for Mani Ratnam's antiparallel Ramayan.

Raajneeti: Review

"Aap junta ko khaane, paani, kapdon ka aasraa de dijiye, junta kisi bhi rang ka jhanda utha legi". Usi tarah aap film ka khoob prachaar bhi kar lijiye junta dekhne toh aa hi jaayegi. Raajneeti, another big film to release this year truly disappoints!
So what's lacking? Powerhouse performances by Nana Patekar, Ajay Devgn, Ranbir Kapoor, Manoj Bajpayee and a movie directed by a director himself in "Raajneeti" who has previously delivered two very good films; still fail to lift the movie to higher echelons.
Reasons: Well there are many. The movie draws suspiciously close parallels to the epic Mahabharata and Mario Puzo's The Godfather. Prakash Jha forgets that in doing so he is challenging one of the most powerful literary phenomenons and that both have been replicated on the screen with justice. Remember Nana Patekar a.k.a Lord Krishna, Sooraj a.ka. Ajay Devgn alias Karna. Samar a.ka. Ranbir alias Michael Corleone? Too much coinicidence ain't it?
On one hand these powerhouse performances do well and on the other hand you are let down by the equally dismal show by Arjun Rampal (who holds the mike like a rockstar) and Katrina Kaif. Both of them don't know how to speak desi Hindi and Katrina Kaif looks almost robotic during her election campaign!
As far as the story goes, there's nothing extraordinary there too. A bitter family feud which involves politics and ends in bloodshed on all fronts. Nothing we haven't seen before or heard about. There is no good or bad here. Only the strongest survive, that is the only take home message from this film. Rolling in thousands of people in for Viraat rallies in the film may thrill you once but not all the time. Truly speaking there is no punch in the film, nothing that will hold you to your seat.
Though the film has some moments. There are few well written dialogues like the one - "Raajneeti mein murdon ko gaadaa nahi jaata, unhe zinda rakha jaata hai taaki waqt aane par wo bolein". But then these few dialogues are weighed down by the lackluster story and the very average direction.
From a director who has delivered us Gangaajal and Apaharan, I expected something much better. I'll go for a 2.5 on 5 for Raajneeti, purely for the good performances by the aforementioned stars and it's huge anticipation. Expect no blockbuster.

I'll be there for you

Paulo Coelho has said in his book, The Zahir - True friends are not those who come with their sympathy in times of grief. They are the ones who come with their sad faces because they don't feel lonely in knowing the fact that someone else is suffering too. I admire Paulo Coelho's work, but this statement of his, I feel it's way out of line.
Just yesterday I happened to send a poem written by me to one of my friends. She replied with a palpable sense of melancholy. It so happened that she bid farewell to her love the same day knowing the fact that they won't ever be together. I had no idea of the pain she was going through and my poem seemed to have brought her again on the verge of tears. Her life hadn't been going as it should have for the past some months. I apologized for my message though really I had no idea about the damage it could do. I comforted her and told her that she shouldn't cry over the passing of those whose time had come. I knew it was a matter of time. Time that heals and makes it all so fine. Time would take away her pain and she would be happy again. But till then I knew she needed some support. I would give it to her and I did. Never once did I think that - "Oh, she's suffering like I did" and feel content about this fact. I had been through what she was going through and I knew it. But to think that this was a thing to be happy about was very selfish.
Yes, when I am forced to go to someone's funeral or observe a minute's silence for someone who has passed away or comfort someone whom I barely know for the pain in his life I do wear a mask. I make a sad face and do it. Frankly, why should I bother? What's the death of someone whom I have hardly met matter to me? Yes, that is the time I am truly indifferent.
But Mr. Paulo Coelho, though I really loved The Zahir, true friends do share the pain and that too selflessly! I'll be there for them when they need me because I know that they'll be there when I need them. So does the life go on.

Kites: Review

One of the most hyped movies of this year, I went to see this on mixed reviews. Kites is a long hauled project by Anurag Basu which has been in news for the most part because of Barbara Mori. And I would like to add here, the movie wasn't disappointing at all.
The film is the story of two people, an Indian who makes his living in Las Vegas with dancing and occasionally doing some crook jobs like marrying women wanting a Green Card into USA. He is desperate for money. This is Hrithik Roshan aka Jay. His counterpart Barbara Mori aka Linda alias Natasha is a poor Mexican girl who happens to use Hrithik Roshan's Green Card services to get into USA only to become engaged to the son of a wealthy casino owner, Bob in Vegas. The owner is Kabir Bedi whose daughter Kangana Ranaut is gaga over our dancing dude and is kept happy by him only because of his desperate need of money and fame.
However things take a turn when Jay meets Linda at Bob's house where she is going to get married to his son, Tony. They instantly strike a chord and fall in love and thus begins their whirlwind romance. But as all things that explode, this one too is short lived and Jay is left searching for his love in the desert while himself being mortally wounded.
If you read this, you can assume it is nothing but a typical Bollywood romance story. But here is the difference. Firstly, Hrithik and Mori's chemistry is mindblowing. The movie brings forth the fact that love can be expressed in more than words and sometimes it just has to go with the flow, relying on your instincts. Sometimes, the feeling is all that takes. The moments shared between Hrithik and Mori are simply superb. Secondly, the direction and the switchovers between the flashbacks and the real time film are good. Thirdly, Tony makes an impressive villain. Fourthly, Mori is a very very good choice for the film, not only is she stunningly beautiful but also she is not a bad actress. And lastly as I had expected Hrithik delivers an absolute powerhouse performance. I won't say his best but nonetheless amongst the best. You'll love him when he is funny, serious and also when he is in extreme grief. He takes the movie many notches up.
The climax was satisfying if not excellent but I would have wanted to tweak it a little bit, not with an intention to change the story but only to make it more impacting. The background score is damn good. Obviously the movie has its flaws but looking at it as a whole I would say it isn't worth the call.
To conclude I'd say I loved the new duo on screen and I loved the 'on the edge, instinctive and extremely expressive love' churned out on screen. I would go on a 3.5 stars on 5! Only someone please tell me, what was the meaning of showing that line in the trailer - "Love should have no strings attached". It held no relevance to the movie!

Winds of Change

Yesterday evening was a beautiful one. One with a revelation and like a flashlight pointing towards a changing world. Thanks to the unexpected "Laila" marauding the eastern coast, Jabalpur was blessed with a rather unusual evening.
The weather was cooler, the evening temperatures dropped as the cool winds swept through the city. The house inside was hotter than the outside. I took this opportunity to take a break from studies. Standing outside in the open air I felt that sense of euphoria that accompanies so often when such a weather comes around. But there was something that was missing. I was tempted to go to the top of the new hospital building to feel the air. So I did. I went up four floors and then stood on the sort of projection that juts out of the buildings terrace. It was the tallest building in the neighbourhood. After a long time I was witnessing the Jabalpur "skyline". Long since the building was built and newer buildings came up, I had lost this view I was witnessing at that precise moment. The last of the birds were making their way back to their trees. The sun had set and an orangish hue painted the western horizon, the sky a patchwork of clouds that looked as if they were in a confusion whether to rain or not. But it had rained somewhere close by as I could smell the familiar and intoxicating fragrance of earth. I could feel my hair stand up. I looked below. Few years back I could see this sight from the terrace of my house, when the tall palm trees looked formidable on which we scribbled our names with nails, when there was a beautiful garden, water flowed in fountains and waterfalls, when the summer was in the luxury of mangoes, the rains in the taste of the Jamuns, the winter with the guavas and the miniature Japanese guavas, when there was a rose garden in the backyard, when I used to play cricket with the gardener's son, when I was a child..When the mornings and the evenings were the same, when all there was to do was to play hide and seek or 'pittu' or some or the other game. It was another lifetime altogether. And now as I stood on the roof I could see the world around me as it had changed. The 'duniyadaari' surrounding me like an inevitable shroud. I spread out my arms, closed my eyes and felt the smell of earth fill my lungs, felt these winds, these winds of change which penetrated every pore of my skin and suddenly I felt as if I had been reborn, reborn to accept the realities that were facing me today. I knew that the world had changed and so had I, but the sky was the same, so was the wind and so was the feeling that came in when I stood there. And it told me it would always be there to guide me whenever I felt it was too hard to come to terms with the present. I got down the four floors and went back to my desk and opened the page where I had left it. It was time that I turned it.